"With over 50 years in the industry, not many filmmakers can boast the longevity and influence of Steven Spielberg, whose journey from the suburbs of Arizona to the spotlight of Hollywood is one of the greatest stories ever told. From the birth of the blockbuster era in the 1970s, through the emergence of visual effects in the 1990s, and even today, in a cinematic world dominated by superheroes and streaming services, Spielberg has left fingerprints across film history. With so many citing his movies as influences, whether they're in the audience, or pursuing their own journey into film, his impact on cinema is unmatched. The influence of Spielberg stems from his ability to span genres and generations, from E.T. to Schindler's List, Saving Private Ryan to Ready Player One, telling the stories of ordinary people dealing with extraordinary circumstances. But his own journey from growing up in post-war America to changing cinema forever might just be his most extraordinary tale."

A promotional short for Lolly-Madonna XXX (1973).

Since the early 1990s, Quentin Tarantino has been on a cinematic rollercoaster ride, that's never looked like slowing down, that has cemented himself as one of the worlds most influential filmmakers. Through his unique style, Tarantino carved out a place in Hollywood just for him, and even when others have tried to emulate him, his films stand-out amongst the crowd. And with one movie left before he supposedly retires, we take a look back at the ups and downs of his incredible life on film.

自马丁·斯科塞斯（Martin Scorsese）首次执导以来已有60年，他的一生都献给了电影的过去、现在和未来。在拍摄了26部剧情长片之后，这位当之无愧的“电影守护者”仍在不断突破电影制作的界限。

Spielberg talks about his friend Stanley Kubrick.

A new light on American filmmaker Steven Spielberg, Hollywood’s greatest director, offering a unique perspective on his work and digging into his personal influences.

Plot TBA.

An exclusive look at the making of "Disclosure Day," featuring interviews with Steven Spielberg, Emily Blunt and more, hosted by Gadi Schwartz.

Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international.

Conversation with Steven Spielberg about the movie "Lawrence of Arabia."